Shakespeare had a keen eye for spotting the foolishness of humanity, including the frequently bad behavior of Europe’s kings and noblemen.
But “Henry V,” the drama now at Chicago Shakespeare Theater, is a different sort of royal history. The king in the play’s title doesn’t experience any Hamlet-like doubts. And he isn’t an evil monster like Richard III. In fact, he seems downright heroic as he leads England into a war of conquest against France, possibly even guided by some sort of Divine Providence.
Some of this play doesn’t ring true to us today. Really? We’re supposed to cheer for the Brits as they slaughter a bunch of Frenchmen in battle? And why? Just because this brash young guy named Harry says his family tree gives him the right to sit on the throne of France? It feels like Shakespeare was pandering to the British audience of his day.
And yet, like most Shakespeare plays, “Henry V” is filled with eloquent language. And even if it lacks the psychological complexity of his masterpieces, it’s a compelling narrative. Like other Shakespeare scripts with troubling elements, it needs to be viewed with a certain historical distance. Seen with that mindset, the Bard’s “problem plays” can still offer a rich theatrical experience.
And that’s just what British director Christopher Luscombe and his star, Harry Judge, deliver in this production. Judge plays Henry V with boyish enthusiasm, a mischievous smirk playing on his lips. There’s a light touch to the way he speaks, even when he’s giving Henry’s famous “band of brothers” oration to rally the English troops. He doesn’t sound like a stereotypically stern or macho warrior, but there’s still something fierce and unstoppable about his determination.
This version of “Henry V” is surprisingly funny, thanks to the deliciously outlandish antics of Greg Vinkler, Larry Neumann Jr., Laura Rook and other cast members. Even if “Henry V” glosses over the devastating consequences of war—we hear about the body count, but it’s barely visible—this production does show many examples of how ridiculous people can be at times of battle. Shakespeare probably intended to emphasis the bravery more than this production does, but Chicago Shakespeare was wise to tone that down. The result is an entertaining historical pageant, but when you think deeper about the evils of war, it’s entertainment with an asterisk.
“Henry V” continues through June 15 at Chicago Shakespeare Theater, on Navy Pier, 800 E. Grand Ave., Chicago. For tickets and show times, visit the theater’s website or call 312-595-5600.
Photo by Liz Lauren.
