Chicago Children's Theatre: "Frog and Toad"
Frog and Toad are great friends. The optimistic amphibian and his grumpy pal were created in the 1970s by Arnold Lobel in a series of I Can Read books.
Frog and Toad are great friends. The optimistic amphibian and his grumpy pal were created in the 1970s by Arnold Lobel in a series of I Can Read books.
The outward appearance of Dolly Parton costumes her philosophy, “I always just thought if you see somebody without a smile, give ’em yours.”
Those who humble themselves by bowing first deserve to be exalted by Chicago’s appreciative patrons of “Flashdance—The Musical.”
“Pandora” might refer to the owner of a mythological box, an avant garde system of decoding musical DNA or a line of women’s jewelry.
Goodman’s “Jungle Book” hits the mark this summer, with the perfect mix of Bs.
Belleville is an actual place, a neighborhood in Paris with a name that means “beautiful town.”
Like your plays served up with a side of crazy? Keith Huff’s “Big Lake Big City” delivers.
Who knew that before Craigslist, a playboy’s best tool was the OAG?
During its 5,000-plus performance run from 1996 to 2008, a reviewer called it, “Seinfeld set to music.”
With report cards on the way, the non-Equity touring company of “West Side Story” made its way through a C- opening night performance in Chicago.